Actuated musical instruments: a state of the art

Tiago Ângelo, Rui Penha, José Gomes, Pedro Rebelo

Research output: Chapter in Book/Report/Conference proceedingConference contributionpeer-review

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Abstract

This article provides an overview of the state of the art in research driven towards the modification of the timbral properties of acoustic musical instruments through the use of electromechanical actuators (actuated instruments), allowing for synthetic sound generation to blend with the sound diffusion patterns of acoustic instruments. A selection of acoustic instruments and experimental research representing four Hornbostel-Sachs classes (idiophones, membranophones, chordophones and aerophones) is presented and their nouvelle characteristics and subsequent implementation is discussed, focusing on the techniques employed in the acoustical actuation.
Original languageEnglish
Title of host publicationICLI 2018
Subtitle of host publication4th international conference on live interfaces: inspiration, performance, emancipation
EditorsJosé Alberto Gomes, Miguel Carvalhais, Rui Penha
Place of PublicationPorto
PublisherUniversidade do Porto
Pages52-61
Number of pages10
ISBN (Print)9789897461705
Publication statusPublished - 2018
Externally publishedYes
EventInternational Conference on Live Interfaces: Inspiration, Performance, Emancipation - Casa da Música & Passos Manuel, Porto, Portugal
Duration: 14 Jun 201816 Jun 2018

Conference

ConferenceInternational Conference on Live Interfaces
Abbreviated titleICLI 2018
Country/TerritoryPortugal
CityPorto
Period14/06/1816/06/18

Keywords

  • Acoustic-aggregate-synthesis
  • Actuated acoustic instruments
  • Actuators
  • Feedback control
  • Modal active control
  • Programmable
  • Prosthetic instruments
  • Sensors

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