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Are luminous devices helping musicians to produce better aural results, or just helping audiences not to get bored?

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Abstract

By the end of the 90’s a new musical instrument entered the stage of all stages and since then, played a key role in the way music is created and produced, both in the studio and performing venues. The aim of this paper is to discuss what we consider to be fundamental issues on how laptopers, as musicians, are dealing with the fact that they are not providing the ‘usual’ satisfaction of a ‘typical’ performance, where gesture is regarded as a fundamental element. Supported by a survey conducted with the collaboration of 46 artists, mostly professionals, we intend to address and discuss some concerns on the way laptop musicians are dealing with this subject, underlined by the fact that in these performances the absence of gestural information is almost a trademark.
Original languageEnglish
Title of host publicationxCoAx 2013
Subtitle of host publicationproceedings of the first conference on Computation, Communication, Aesthetics and X
EditorsMario Verdicchio, Miguel Carvalhais
Place of PublicationPorto
PublisherUniversidade do Porto
Pages89-105
Number of pages17
ISBN (Electronic)9789897460173
Publication statusPublished - Sept 2013
EventxCoAx 2013: First Conference on Computation, Communication, Aesthetics and X - Bergamo, Italy
Duration: 27 Jun 201328 Jun 2013

Conference

ConferencexCoAx 2013
Country/TerritoryItaly
CityBergamo
Period27/06/1328/06/13

Keywords

  • Performance studies
  • Electronic music
  • Laptop performance
  • Interfaces
  • Gestural information
  • Perception
  • Conformity

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