Between marxism and postmodernism: ‘cultural revolution’ and the Sino-Soviet split as entertainment in Jean-Luc Godard’s “La chinoise” (1967)

Original language	English
Title of host publication	Revolution & cinema
Editors	Daniel Ribas, Nuno Crespo
Place of Publication	Lisboa
Publisher	UCP Editora
Pages	83-98
Number of pages	16
ISBN (Electronic)	9789725410172
DOIs	https://doi.org/10.34632/9789725410172_7
Publication status	Published - Oct 2024

Publication series

Name	Science and Technology of the Arts

Access to Document

• 10.34632/9789725410172_7Licence: CC BY-NC

• 112596253Final published version, 12.1 MBLicence: CC BY-NC

• http://hdl.handle.net/10400.14/47770Licence: CC BY-NC

Research output

Research output per year 2024 2024 2024

• 1 Edited book

Research output per year

Research output per year

• Revolution & cinema

  Ribas, D. (Editor) & Crespo, N. (Editor), Oct 2024, Lisboa: UCP Editora. 117 p. (Science and Technology of the Arts)

  Research output: Book/Report › Edited book › peer-review

  Open Access

  File

  • African cinema 100%
  • founding 50%
  • Liberation 50%
  • Portuguese Cinema 50%
  • film-making 50%

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Mason, M. R. (2024). Between marxism and postmodernism: ‘cultural revolution’ and the Sino-Soviet split as entertainment in Jean-Luc Godard’s “La chinoise” (1967). In D. Ribas, & N. Crespo (Eds.), Revolution & cinema (pp. 83-98). (Science and Technology of the Arts). UCP Editora. https://doi.org/10.34632/9789725410172_7

Mason, Matthew Raymond. / Between marxism and postmodernism : ‘cultural revolution’ and the Sino-Soviet split as entertainment in Jean-Luc Godard’s “La chinoise” (1967). Revolution & cinema. editor / Daniel Ribas ; Nuno Crespo. Lisboa : UCP Editora, 2024. pp. 83-98 (Science and Technology of the Arts).

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title = "Between marxism and postmodernism: {\textquoteleft}cultural revolution{\textquoteright} and the Sino-Soviet split as entertainment in Jean-Luc Godard{\textquoteright}s “La chinoise” (1967)",

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language = "English",

series = "Science and Technology of the Arts",

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Mason, MR 2024, Between marxism and postmodernism: ‘cultural revolution’ and the Sino-Soviet split as entertainment in Jean-Luc Godard’s “La chinoise” (1967). in D Ribas & N Crespo (eds), Revolution & cinema. Science and Technology of the Arts, UCP Editora, Lisboa, pp. 83-98. https://doi.org/10.34632/9789725410172_7

Between marxism and postmodernism: ‘cultural revolution’ and the Sino-Soviet split as entertainment in Jean-Luc Godard’s “La chinoise” (1967). / Mason, Matthew Raymond.
Revolution & cinema. ed. / Daniel Ribas; Nuno Crespo. Lisboa: UCP Editora, 2024. p. 83-98 (Science and Technology of the Arts).

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

TY - CHAP

T1 - Between marxism and postmodernism

T2 - ‘cultural revolution’ and the Sino-Soviet split as entertainment in Jean-Luc Godard’s “La chinoise” (1967)

AU - Mason, Matthew Raymond

PY - 2024/10

Y1 - 2024/10

U2 - 10.34632/9789725410172_7

DO - 10.34632/9789725410172_7

M3 - Chapter

T3 - Science and Technology of the Arts

SP - 83

EP - 98

BT - Revolution & cinema

A2 - Ribas, Daniel

A2 - Crespo, Nuno

PB - UCP Editora

CY - Lisboa

ER -

Mason MR. Between marxism and postmodernism: ‘cultural revolution’ and the Sino-Soviet split as entertainment in Jean-Luc Godard’s “La chinoise” (1967). In Ribas D, Crespo N, editors, Revolution & cinema. Lisboa: UCP Editora. 2024. p. 83-98. (Science and Technology of the Arts). doi: 10.34632/9789725410172_7