Casella’s “modulation in simultaneity,” Bartók’s “polymodal chromaticism,” and my “scalar dissonance"

José António Oliveira Martins

Casella’s “modulation in simultaneity,” Bartók’s “polymodal chromaticism,” and my “scalar dissonance"

Research Centre in Science and Technology of the Arts (CITAR)

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

Original language	Italian
Title of host publication	XIV Convegno Internazionale di Analisi e Teoria Musicale
Publication status	Published - 2017

Cite this

@inproceedings{2e793d1369c942be8a4e76c8d64dbb93,

title = "Casella{\textquoteright}s “modulation in simultaneity,” Bart{\'o}k{\textquoteright}s “polymodal chromaticism,” and my “scalar dissonance{"}",

author = "Martins, {Jos{\'e} Ant{\'o}nio Oliveira}",

year = "2017",

language = "Italian",

booktitle = "XIV Convegno Internazionale di Analisi e Teoria Musicale",

}

TY - GEN

T1 - Casella’s “modulation in simultaneity,” Bartók’s “polymodal chromaticism,” and my “scalar dissonance"

AU - Martins, José António Oliveira

PY - 2017

Y1 - 2017

UR - http://www.gatm.it/index.php?option=com_content&view=article&id=199:xiv-convegno-internazionale-di-teoria-e-analisi-musicale&catid=24&Itemid=124&lang=en

M3 - Conference contribution

BT - XIV Convegno Internazionale di Analisi e Teoria Musicale

ER -

Casella’s “modulation in simultaneity,” Bartók’s “polymodal chromaticism,” and my “scalar dissonance"

Other files and links

Cite this