Casella’s “modulation in simultaneity,” Bartók’s “polymodal chromaticism,” and my “scalar dissonance"

José António Oliveira Martins

Casella’s “modulation in simultaneity,” Bartók’s “polymodal chromaticism,” and my “scalar dissonance"

José António Oliveira Martins

Research Center for Science and Technology of the Arts (CITAR)

Research output: Contribution to conference › Paper

Original language	Italian
Publication status	Published - 2017
Event	XIV Convegno Internazionale di Analisi e Teoria Musicale - Istituto Superiore di Studi Musicali ‘G. Lettimi’ di Rimini, Roma, Italy Duration: 28 Sept 2017 → 1 Oct 2017

Conference

Conference	XIV Convegno Internazionale di Analisi e Teoria Musicale
Country/Territory	Italy
City	Roma
Period	28/09/17 → 1/10/17

Cite this

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title = "Casella{\textquoteright}s “modulation in simultaneity,” Bart{\'o}k{\textquoteright}s “polymodal chromaticism,” and my “scalar dissonance{"}",

author = "Martins, {Jos{\'e} Ant{\'o}nio Oliveira}",

year = "2017",

language = "Italian",

note = "XIV Convegno Internazionale di Analisi e Teoria Musicale ; Conference date: 28-09-2017 Through 01-10-2017",

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TY - CONF

T1 - Casella’s “modulation in simultaneity,” Bartók’s “polymodal chromaticism,” and my “scalar dissonance"

AU - Martins, José António Oliveira

PY - 2017

Y1 - 2017

UR - http://www.gatm.it/index.php?option=com_content&view=article&id=199:xiv-convegno-internazionale-di-teoria-e-analisi-musicale&catid=24&Itemid=124&lang=en

M3 - Paper

T2 - XIV Convegno Internazionale di Analisi e Teoria Musicale

Y2 - 28 September 2017 through 1 October 2017

ER -

Casella’s “modulation in simultaneity,” Bartók’s “polymodal chromaticism,” and my “scalar dissonance"

Conference

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