Christian memory in contemporary music creation: tensions and transitions

After a period in which secularisation as an explanatory model – linear and teleological – became hegemonic in the social sciences, it became necessary to find other ways of accessing the sites of religious reconfiguration in the context of multiple modernities. In this situation, it has become crucial to bring the scientific gaze, at different scales, closer to the places where new relationships between the sphere of the religious and other social worlds are established, mediated by the displacements of the sacred. This article explores contemporary musical creation as a laboratory for discovering these new configurations.