Fear, hope and the aesthetic act: metafictional devices in Philip K. Dick's The man in the high castle

Taking into consideration scenes that evoke either fear or hope in the novel The man in the high castle (1962), this paper argues that Philip K. Dick’s strategy involves the metafictional device of the book-within-the-book precisely because, in using such a foundational event as World War II, he allows for a critical look into different levels of history. These meta-movements that propel multiple readings are mimicked in the two dimensions of the story, by the circulation of objects that hold historicity, which are taken here as an example of how the aesthetic act is crucial to resist in totalitarian times. The apparently paradoxical forces that emanate from artifacts (the power of metaphors resides
both in the fictional The Grasshopper lies heavy and the jewel) give room to the
construction of different, and imaginative mechanisms to escape a univocal existence.