Retratos femininos em ciclo ficcional de Fernanda Botelho: vozes narrativas e atmosfera de melancolia

Translated title of the contribution: Female portraits in Fernanda Botelho’s fictional cycle: narratives voices and melancholy atmosphere

Research output: Contribution to journalArticlepeer-review

25 Downloads

Abstract

Fernanda Botelho (1926–2007) is the author of a fictional work marked by originality in many respects, which spans about half a century, although it is among the unjustly forgotten contemporary writers. In Fernanda Botelho’s fictional cycle of the 1990s, endowed with different affinities – Festa em Casa de Flores (1990), Dramaticamente vestida de negro (1994) and As Contadoras de histórias (1998) –, the writer focuses on the analysis of significant gallery of female figures and some of the surrounding issues, in a daily life dominated by a disturbing banality: point of view and critical awareness; psychology and identity; interpersonal relationships and social condition; feelings of anguish and role of memory; ambiguity and ethical-social non-conformism; manifestations of humor and irony.
Translated title of the contributionFemale portraits in Fernanda Botelho’s fictional cycle: narratives voices and melancholy atmosphere
Original languagePortuguese
Pages (from-to)71-86
JournalRevista do Centro de Estudos Portugueses
Volume39
Issue number61
DOIs
Publication statusPublished - 26 Aug 2019

Keywords

  • Fernanda Botelho
  • Portraits of women
  • Irony
  • Anguish
  • Melancholy

Fingerprint

Dive into the research topics of 'Female portraits in Fernanda Botelho’s fictional cycle: narratives voices and melancholy atmosphere'. Together they form a unique fingerprint.

Cite this