Julião Sarmento: the innuendo of the real

João Pedro Amorim*

*Corresponding author for this work

Research output: Contribution to journalArticlepeer-review

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Abstract

Julião Sarmento’s body of work crosses multiple artistic disciplines and fields. The artist resorts to film and video as a means to reach the artistic expression of an idea, open to an infinitude of interpretations. This audiovisual essay looks at the way Julião Sarmento works with moving images, focusing in three main perspectives: the word, the (feminine) body and rhythm. We conclude that each one of Sarmento’s works builds a system of codes, of communication, that opens new understandings of the human relation with the ‘real’.
Original languageEnglish
Pages (from-to)72-79
Number of pages8
JournalJournal of Science and Technology of the Arts
Volume13
Issue number1
DOIs
Publication statusPublished - 2021

Keywords

  • Filmworks
  • Julião Sarmento
  • Moving image
  • The real

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