@techreport{b00f800f175e4463a0253c5d8fd766ed,
title = "Media policy and copyright in Europe: the progressive expansion of the law for broadcasters to online platforms",
abstract = "This paper draws upon the evolution and EU harmonisation of media regulations and copyright in the last three decades. The piece shows the EU{\textquoteright}s attempt to support its own creative industries not only through very broad creators{\textquoteright} rights but also through a law tailored for broadcasters{\textquoteright} needs. From the outset, this special legal regime included special responsibilities and privileges that, especially in the pre-digital era, made public and private television the most important vector to fund audio-visual productions, protect the value of cultural creation and preserve Europe{\textquoteright}s cultural diversity and national identities. The paper critically reviews the progressive expansion of these intertwined areas of law at a time when television{\textquoteright}s productions and content deliveries increasingly compete with those of online content platforms such as Netflix, Amazon and YouTube.",
author = "Giuseppe Mazziotti",
year = "2019",
month = mar,
language = "English",
series = "Jean Monnet Working Paper",
publisher = "New York University School of Law",
number = "3/19",
address = "United States",
type = "WorkingPaper",
institution = "New York University School of Law",
}