O "Outro" no cinema ficcional e narrativo: significado e vitalidade na representação do real

This article incurs on the importance of fictional and narrative cinema as an instrument for approaching us to reality and to the «Other». By using an interdisciplinary and relevant bibliography, we establish a theoretical analysis divided in two major directions. On one hand, in which ways film, fiction and narrative conjugate in significant representations of reality and the «Other», allowing its spectators implied and resonant experimentations of the stories and universes of narrative and fictional cinema. On the other hand, how the latter promotes spectators’ utilization and profiting from what is represented and from the «Other», in different cognitive, affective and empirical fields of their lives.