O reentelamento com compostos de cera-resina: o aprendizado de Edson Motta no Fogg Conservation Center e a adaptação à realidade brasileira

Translated title of the contribution: Wax resin lining techniques: Edson Motta's training at the Fogg Conservation Center and its adaptation to the Brazilian reality

May Paiva*, Maria Aguiar, Eduarda Vieira

*Corresponding author for this work

Research output: Contribution to journalArticlepeer-review

1 Citation (Scopus)
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Abstract

After Edson Motta's graduation from the Fogg Conservation Center, his experience contributed to the practice of conservation in Brazil through the introduction of new materials and the technique of wax-resin lining. However, this technique has drawbacks when applied in a country of tropical climate and few resources. It is important, when considering the use of this approach, to be mindful of the conservator's historical role, which can reveal why this technique was, very likely, the best choice for the conservation of the vast patrimony of canvas paintings in Brazil.
Translated title of the contributionWax resin lining techniques: Edson Motta's training at the Fogg Conservation Center and its adaptation to the Brazilian reality
Original languagePortuguese
Pages (from-to)82-89
Number of pages8
JournalConservar Patrimonio
Volume36
DOIs
Publication statusPublished - 10 Feb 2021

Keywords

  • Brazil
  • Edson Motta
  • Fogg Conservation Center
  • Painting conservation
  • Wax-resin lining

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