Revolution & cinema

Daniel Ribas; Nuno Crespo

doi:10.34632/9789725410172

Revolution & cinema

Daniel Ribas (Editor), Nuno Crespo (Editor)

Research output: Book/Report › Edited book › peer-review

Abstract

In this volume we gathered the contributions of various researchers that aim to address the relationship between cinema and revolution. The book opens with a conversation between Ros Gray, specialist in militant filmmaking, particularly in relation to liberation struggles and revolutionary movements in Mozambique, Angola, Guinea-Bissau and Burkina Faso, and June Givanni, film curator, archivist, international consultant around Pan-African cinema and founding director of the June Givanni Pan-African Cinema Archive (JGPACA). This volume also gathers contributions by: Aldones Silva on the work of the Brazilian visual artist Marcela Cantuária; Eduardo Prado Cardoso and his reading of the film Malunguinho directed by Felipe Peres Calheiros; Isabel Capeloa Gil on colonial memories of Portuguese cinema; João Oliveira Duarte and the relationship between present, future and past in Fiona Tan’s work Facing Forward; Matthew Mason and the tension between Marxism and post-modernism via Jean-Luc Godard’s La Chinoise; and Riccardo Uras on the absence of debate on Italy’s colonial past and its myths, through the analysis of Adwa: An African Victory by Haile Gerima, and Blood Is Not Fresh Water by Theo Eshetu.

Original language	English
Place of Publication	Lisboa
Publisher	UCP Editora
Number of pages	117
ISBN (Electronic)	9789725410172
DOIs	https://doi.org/10.34632/9789725410172
Publication status	Published - Oct 2024

Publication series

Name	Science and Technology of the Arts

Keywords

Cinema
Pan-African cinema
Film

Access to Document

10.34632/9789725410172Licence: CC BY

110718417Final published version, 18.8 MBLicence: CC BY

http://hdl.handle.net/10400.14/47470Licence: CC BY

1 Organising a conference, workshop, ...

Spring Seminar 2020
Ribas, D. (Organiser) & Crespo, N. (Participant)
2020
Activity: Participating in or organising an event › Organising a conference, workshop, ...

1 Finished

CITAR: Research Center for Science and Technology of the Arts
Vieira, E. (PI), Nobre da Silva Pais, A. M. (Other career/Public sector), Filipe, C. (Private Sector), Serra, S. (Assistant Professor), Baltazar, A. (Assistant Professor), Lobo, C. (Invited Assistant Professor), Carmona, C. R. (Assistant Professor), Sá, C. (Assistant Professor), Sousa, G. V. E. (Full Professor), Pereira, H. M. (Assistant Professor), Neves, J. (Invited Assistant Professor), Teixeira, J. (Invited Assistant Professor), Gomes, J. A. (Invited Assistant Professor), Carvalho, J. V. (Invited Assistant Professor), Castro, L. (Assistant Professor), Teixeira, L. (Assistant Professor), Aguiar, M. (Assistant Professor), Crespo, N. (Assistant Professor), Camarneiro, N. (Invited Assistant Professor), Costa, P. R. (Invited Assistant Professor), Pestana, P. D. (Invited Assistant Professor), Alves, P. (Invited Assistant Professor), Kunz, S. (Assistant Professor), Neves, S. (Invited Assistant Professor), Coutinho, V. M. (Invited Assistant Professor), Galán-Pérez, A. (Private Sector), Rangel, A. (Professor non-higher education), Natálio, C. (Researcher), Henriques, F. (Researcher), Afonso Lopes, M. I. (Private Sector), Bordalo, R. (Researcher) & Lammeren, S. R. L. V. (Researcher)
1/01/20 → 31/12/24
Project: Research

3 Chapter

Between marxism and postmodernism: ‘cultural revolution’ and the Sino-Soviet split as entertainment in Jean-Luc Godard’s “La chinoise” (1967)
Mason, M. R., 2024, Revolution & cinema. Ribas, D. & Crespo, N. (eds.). Lisboa: UCP Editora, p. 83-98 16 p. (Science and Technology of the Arts).
Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Open Access
File

2 Downloads
Introduction
Ribas, D. & Crespo, N., 2024, Revolution & cinema. Ribas , D. & Crespo, N. (eds.). Lisboa: UCP Editora, p. 4-6 3 p. (Science and Technology of the Arts).
Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Open Access
File
Of crocodiles and love letters: colonial memories in Portuguese film
Gil, I. C., 2024, Revolution & cinema. Ribas, D. & Crespo, N. (eds.). Lisboa: UCP Editora, p. 56-72 17 p. (Science and Technology of the Arts).
Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Open Access
File

1 Downloads

Cite this

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AB - In this volume we gathered the contributions of various researchers that aim to address the relationship between cinema and revolution. The book opens with a conversation between Ros Gray, specialist in militant filmmaking, particularly in relation to liberation struggles and revolutionary movements in Mozambique, Angola, Guinea-Bissau and Burkina Faso, and June Givanni, film curator, archivist, international consultant around Pan-African cinema and founding director of the June Givanni Pan-African Cinema Archive (JGPACA). This volume also gathers contributions by: Aldones Silva on the work of the Brazilian visual artist Marcela Cantuária; Eduardo Prado Cardoso and his reading of the film Malunguinho directed by Felipe Peres Calheiros; Isabel Capeloa Gil on colonial memories of Portuguese cinema; João Oliveira Duarte and the relationship between present, future and past in Fiona Tan’s work Facing Forward; Matthew Mason and the tension between Marxism and post-modernism via Jean-Luc Godard’s La Chinoise; and Riccardo Uras on the absence of debate on Italy’s colonial past and its myths, through the analysis of Adwa: An African Victory by Haile Gerima, and Blood Is Not Fresh Water by Theo Eshetu.

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Revolution & cinema

Abstract

Publication series

Keywords

Access to Document

Fingerprint

Activities

Spring Seminar 2020

Projects

CITAR: Research Center for Science and Technology of the Arts

Research output

Between marxism and postmodernism: ‘cultural revolution’ and the Sino-Soviet split as entertainment in Jean-Luc Godard’s “La chinoise” (1967)

Introduction

Of crocodiles and love letters: colonial memories in Portuguese film

Cite this