Stravinsky's Discontinuities, Harmonic Practice, and the Guidonian Space in the "Hymne" from the Serenade in A

Original language	English
Pages (from-to)	39-63
Journal	Theory and Practice
Issue number	31
Publication status	Published - 2006

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Martins, J. A. (2006). Stravinsky's Discontinuities, Harmonic Practice, and the Guidonian Space in the "Hymne" from the Serenade in A. Theory and Practice, (31), 39-63.

Martins, José António. / Stravinsky's Discontinuities, Harmonic Practice, and the Guidonian Space in the "Hymne" from the Serenade in A. In: Theory and Practice. 2006 ; No. 31. pp. 39-63.

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language = "English",

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journal = "Theory and Practice",

issn = "2328-2665",

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Martins, JA 2006, 'Stravinsky's Discontinuities, Harmonic Practice, and the Guidonian Space in the "Hymne" from the Serenade in A', Theory and Practice, no. 31, pp. 39-63.

Stravinsky's Discontinuities, Harmonic Practice, and the Guidonian Space in the "Hymne" from the Serenade in A. / Martins, José António.
In: Theory and Practice, No. 31, 2006, p. 39-63.

Research output: Contribution to journal › Article › peer-review

TY - JOUR

T1 - Stravinsky's Discontinuities, Harmonic Practice, and the Guidonian Space in the "Hymne" from the Serenade in A

AU - Martins, José António

PY - 2006

Y1 - 2006

M3 - Article

SN - 2328-2665

SP - 39

EP - 63

JO - Theory and Practice

JF - Theory and Practice

IS - 31

ER -

Martins JA. Stravinsky's Discontinuities, Harmonic Practice, and the Guidonian Space in the "Hymne" from the Serenade in A. Theory and Practice. 2006;(31):39-63.