The fold(s)

Luísa Santos

The fold(s)

Research output: Non-textual form › Exhibition

Abstract

The Fold(s) adopts Deleuze’s concept of the fold (1993) in its both ethical and political dimensions, for as Deleuze remarks the emergence of new kinds of struggle inevitably also involves the production of new kinds of subjectivity, new kinds of fold (Deleuze has in mind the uprisings of 1968). This project is grounded precisely on the production of subjectivities via the lenses of the artistic production and research of Carolina Grilo Santos, Joana Patrão, Mónica de Miranda, and Rouzbeh Akhbari. Emerging from a series of micro- narratives, these subjectivities translate the transforming potential of imaginative audacity and exchange while challenging the multipolar structures and the (grand) narratives.

Translated title of the contribution	A(s) dobra(s)
Original language	English
Publication status	Published - 2021
Event	The Fold(s) - Hangar, Lisboa, Portugal Duration: 22 Apr 2021 → 22 Apr 2021

The Fold(s)
Santos, L. (Speaker)
22 Apr 2021
Activity: Talk or presentation › Oral presentation

Conflicted Arts+Politics
Santos, L. (PI)
18/07/19 → 17/07/25
Project: Research

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title = "The fold(s)",

abstract = "The Fold(s) adopts Deleuze{\textquoteright}s concept of the fold (1993) in its both ethical and political dimensions, for as Deleuze remarks the emergence of new kinds of struggle inevitably also involves the production of new kinds of subjectivity, new kinds of fold (Deleuze has in mind the uprisings of 1968). This project is grounded precisely on the production of subjectivities via the lenses of the artistic production and research of Carolina Grilo Santos, Joana Patr{\~a}o, M{\'o}nica de Miranda, and Rouzbeh Akhbari. Emerging from a series of micro- narratives, these subjectivities translate the transforming potential of imaginative audacity and exchange while challenging the multipolar structures and the (grand) narratives.",

author = "Lu{\'i}sa Santos",

year = "2021",

language = "English",

note = "The Fold(s) ; Conference date: 22-04-2021 Through 22-04-2021",

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A2 - Santos, Luísa

PY - 2021

Y1 - 2021

N2 - The Fold(s) adopts Deleuze’s concept of the fold (1993) in its both ethical and political dimensions, for as Deleuze remarks the emergence of new kinds of struggle inevitably also involves the production of new kinds of subjectivity, new kinds of fold (Deleuze has in mind the uprisings of 1968). This project is grounded precisely on the production of subjectivities via the lenses of the artistic production and research of Carolina Grilo Santos, Joana Patrão, Mónica de Miranda, and Rouzbeh Akhbari. Emerging from a series of micro- narratives, these subjectivities translate the transforming potential of imaginative audacity and exchange while challenging the multipolar structures and the (grand) narratives.

AB - The Fold(s) adopts Deleuze’s concept of the fold (1993) in its both ethical and political dimensions, for as Deleuze remarks the emergence of new kinds of struggle inevitably also involves the production of new kinds of subjectivity, new kinds of fold (Deleuze has in mind the uprisings of 1968). This project is grounded precisely on the production of subjectivities via the lenses of the artistic production and research of Carolina Grilo Santos, Joana Patrão, Mónica de Miranda, and Rouzbeh Akhbari. Emerging from a series of micro- narratives, these subjectivities translate the transforming potential of imaginative audacity and exchange while challenging the multipolar structures and the (grand) narratives.

M3 - Exhibition

T2 - The Fold(s)

Y2 - 22 April 2021 through 22 April 2021

ER -

The fold(s)

Abstract

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The Fold(s)

Projects

Conflicted Arts+Politics

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