TY - GEN
T1 - The influence of perceptual attack times in networked music performance
AU - Barbosa, Álvaro
AU - Cordeiro, João
N1 - Copyright:
Copyright 2013 Elsevier B.V., All rights reserved.
PY - 2011
Y1 - 2011
N2 - It is well known that Latency has a highly disrupting influence in music performance, affecting musicians individually on their own acoustic feedback and collectively at the overall musical response. In musical communication over the Internet one of the most promising approaches, to minimize the constraints caused by extreme latencies, is to adapt the musical practices to perceptual audio features that influence the latency threshold tolerated by musicians. According to the information extracted from these descriptors, it is possible to shape the musical language at the compositional stage or at the performative level. Research has previously been conducted exploring the relationship between this threshold and features such as the musical Tempo and Loudness. Nevertheless, further studies remains to be done, particularly concerning the ability to synchronize delayed performances for different expressive musical qualities related with performing technique at the level of individual notes. This paper presents a pilot study that suggests a better tolerance to communication latency, for musical pieces based on notes performed with slow attack sounds. Copyright
AB - It is well known that Latency has a highly disrupting influence in music performance, affecting musicians individually on their own acoustic feedback and collectively at the overall musical response. In musical communication over the Internet one of the most promising approaches, to minimize the constraints caused by extreme latencies, is to adapt the musical practices to perceptual audio features that influence the latency threshold tolerated by musicians. According to the information extracted from these descriptors, it is possible to shape the musical language at the compositional stage or at the performative level. Research has previously been conducted exploring the relationship between this threshold and features such as the musical Tempo and Loudness. Nevertheless, further studies remains to be done, particularly concerning the ability to synchronize delayed performances for different expressive musical qualities related with performing technique at the level of individual notes. This paper presents a pilot study that suggests a better tolerance to communication latency, for musical pieces based on notes performed with slow attack sounds. Copyright
UR - http://www.scopus.com/inward/record.url?scp=84883310889&partnerID=8YFLogxK
M3 - Conference contribution
AN - SCOPUS:84883310889
SN - 9781622760060
T3 - Proceedings of the AES International Conference
SP - 93
EP - 98
BT - 44th Audio Engineering Society International Conference 2011 - Audio Networking
T2 - 44th Audio Engineering Society International Conference 2011 on Audio Networking
Y2 - 18 November 2011 through 20 November 2011
ER -