The musical and theatrical references of Eça de Queiroz’s The Maias in the film narrative of Portuguese filmmaker João Botelho and the Portuguese cultural identity

Filomena Antunes Sobral

The musical and theatrical references of Eça de Queiroz’s The Maias in the film narrative of Portuguese filmmaker João Botelho and the Portuguese cultural identity

Research Centre for Communication and Culture (CECC)

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Original language	English
Title of host publication	Identity Mediations in Latin American Cinemas and Beyond
Subtitle of host publication	Cultural Industries, Musical Flows and Transnational Discourses
Editors	Cecilia Nuria Gil Mariño, Laura Miranda
Publisher	Cambridge Scholars Publishing
ISBN (Print)	9781527538832
Publication status	Published - 2019

Cite this

Sobral, F. A. (2019). The musical and theatrical references of Eça de Queiroz’s The Maias in the film narrative of Portuguese filmmaker João Botelho and the Portuguese cultural identity. In C. N. Gil Mariño, & L. Miranda (Eds.), Identity Mediations in Latin American Cinemas and Beyond: Cultural Industries, Musical Flows and Transnational Discourses Cambridge Scholars Publishing.

Sobral, Filomena Antunes. / The musical and theatrical references of Eça de Queiroz’s The Maias in the film narrative of Portuguese filmmaker João Botelho and the Portuguese cultural identity. Identity Mediations in Latin American Cinemas and Beyond: Cultural Industries, Musical Flows and Transnational Discourses . editor / Cecilia Nuria Gil Mariño ; Laura Miranda. Cambridge Scholars Publishing, 2019.

@inbook{85b69360f4904d3f8c7747bc8aef9ff6,

title = "The musical and theatrical references of E{\c c}a de Queiroz{\textquoteright}s The Maias in the film narrative of Portuguese filmmaker Jo{\~a}o Botelho and the Portuguese cultural identity",

author = "Sobral, {Filomena Antunes}",

year = "2019",

language = "English",

isbn = "9781527538832",

editor = "{Gil Mari{\~n}o}, {Cecilia Nuria} and Laura Miranda",

booktitle = "Identity Mediations in Latin American Cinemas and Beyond",

publisher = "Cambridge Scholars Publishing",

address = "United Kingdom",

}

Sobral, FA 2019, The musical and theatrical references of Eça de Queiroz’s The Maias in the film narrative of Portuguese filmmaker João Botelho and the Portuguese cultural identity. in CN Gil Mariño & L Miranda (eds), Identity Mediations in Latin American Cinemas and Beyond: Cultural Industries, Musical Flows and Transnational Discourses . Cambridge Scholars Publishing.

The musical and theatrical references of Eça de Queiroz’s The Maias in the film narrative of Portuguese filmmaker João Botelho and the Portuguese cultural identity. / Sobral, Filomena Antunes.
Identity Mediations in Latin American Cinemas and Beyond: Cultural Industries, Musical Flows and Transnational Discourses . ed. / Cecilia Nuria Gil Mariño; Laura Miranda. Cambridge Scholars Publishing, 2019.

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

TY - CHAP

T1 - The musical and theatrical references of Eça de Queiroz’s The Maias in the film narrative of Portuguese filmmaker João Botelho and the Portuguese cultural identity

AU - Sobral, Filomena Antunes

PY - 2019

Y1 - 2019

M3 - Chapter

SN - 9781527538832

BT - Identity Mediations in Latin American Cinemas and Beyond

A2 - Gil Mariño, Cecilia Nuria

A2 - Miranda, Laura

PB - Cambridge Scholars Publishing

ER -

Sobral FA. The musical and theatrical references of Eça de Queiroz’s The Maias in the film narrative of Portuguese filmmaker João Botelho and the Portuguese cultural identity. In Gil Mariño CN, Miranda L, editors, Identity Mediations in Latin American Cinemas and Beyond: Cultural Industries, Musical Flows and Transnational Discourses . Cambridge Scholars Publishing. 2019