Abstract
In this proposal of a research agenda for cultural economics, I discuss the supply-side economics of the next wave of digital technological change. I begin by arguing that digitization and internet-enabled platforms, together with automated licensing of user-generated content, have substantially lowered the costs of individual-level cultural participation. I discuss how the dependence on advertising revenues may affect this dynamic and highlight some implications for the economics of copyright. Next, I discuss circumstances under which market data, which have become much less expensive to collect at more fine-grained levels, can trigger differentiation of cultural products. Finally, I speculate about the economic implications of artificial intelligence that complements, or perhaps substitutes for human creativity with regard to cultural participation, copyright and the industrial organization of culture.
Original language | English |
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Pages (from-to) | 189-210 |
Number of pages | 22 |
Journal | Journal of Cultural Economics |
Volume | 43 |
Issue number | 2 |
DOIs | |
Publication status | Published - 1 Jun 2019 |
Keywords
- Artificial intelligence
- Big data
- Creative machines
- Digital cultural participation