As vitrines das pinturas do Museu de Arte de São Paulo Assis Chateaubriand, MASP-Brasil. O projeto museográfico de Lina Bo Bardi e a evolução na conservação: o projeto museográfico de Lina Bo Bardi e a evolução na conservação

Karen Barbosa; Patrícia Moreira; Eduarda Vieira

doi:10.37558/GEC.V15I0.577

As vitrines das pinturas do Museu de Arte de São Paulo Assis Chateaubriand, MASP-Brasil. O projeto museográfico de Lina Bo Bardi e a evolução na conservação: o projeto museográfico de Lina Bo Bardi e a evolução na conservação

Translated title of the contribution: the showcases of the paintings of the Sao Paulo art museum assis chateaubriand, MASP-Brazil. The lina bo bardi museum project and the evolution in conservation

Karen Barbosa, Patrícia Moreira, Eduarda Vieira

Research output: Contribution to journal › Article › peer-review

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Abstract

This paper aims to highlight the museography of Lina Bo Bardi for exhibiting paintings at the Museum of Art of Sao Paulo, MASP (Brasil), one of the most relevant collections of European art in a museum in the southern hemisphere. Analysed here is the evolution of glazed paintings, different glasses as the different types of backing board used in the permanent exhibition over 50 years for loans and conservation purposes. Emphases are given to the possible relationship between the condition of the art work and the effects of pollutants and relative humidity inside the microclimate vitrine.

Translated title of the contribution	the showcases of the paintings of the Sao Paulo art museum assis chateaubriand, MASP-Brazil. The lina bo bardi museum project and the evolution in conservation
Original language	Portuguese
Pages (from-to)	18-26
Number of pages	9
Journal	Ge-conservación
Volume	15
DOIs	https://doi.org/10.37558/GEC.V15I0.577
Publication status	Published - 2019

Keywords

MASP
Vitrines
Glass
Painting
Conservation
VOC

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10.37558/GEC.V15I0.577Licence: CC BY-NC-ND

19742089Final published version, 4.47 MBLicence: CC BY-NC-ND

http://hdl.handle.net/10400.14/30785Licence: CC BY-NC-ND

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BIONANOSCULP: Development and characterization of the application of bionanomaterials with anti-microbial protection for coating of metal and stone-based public sculptures
Costa, P. R. (PI) & Pintado, M. M. (Researcher)
Fundação para a Ciência e a Tecnologia
1/05/16 → 31/12/19
Project: Research

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abstract = "This paper aims to highlight the museography of Lina Bo Bardi for exhibiting paintings at the Museum of Art of Sao Paulo, MASP (Brasil), one of the most relevant collections of European art in a museum in the southern hemisphere. Analysed here is the evolution of glazed paintings, different glasses as the different types of backing board used in the permanent exhibition over 50 years for loans and conservation purposes. Emphases are given to the possible relationship between the condition of the art work and the effects of pollutants and relative humidity inside the microclimate vitrine.",

keywords = "MASP, Vitrines, Vidros, Pinturas, Conserva{\c c}{\~a}o, COV, MASP, Vitrines, Glass, Painting, Conservation, VOC",

author = "Karen Barbosa and Patr{\'i}cia Moreira and Eduarda Vieira",

year = "2019",

doi = "10.37558/GEC.V15I0.577",

language = "Portuguese",

volume = "15",

pages = "18--26",

journal = "Ge-conservaci{\'o}n",

issn = "1989-8568",

publisher = "Grupo Espanol del IIC (International Institute for Conservation of Historic and Artistic Works)",

}

As vitrines das pinturas do Museu de Arte de São Paulo Assis Chateaubriand, MASP-Brasil. O projeto museográfico de Lina Bo Bardi e a evolução na conservação: o projeto museográfico de Lina Bo Bardi e a evolução na conservação. / Barbosa, Karen ; Moreira, Patrícia ; Vieira, Eduarda.
In: Ge-conservación, Vol. 15, 2019, p. 18-26.

Research output: Contribution to journal › Article › peer-review

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T2 - o projeto museográfico de Lina Bo Bardi e a evolução na conservação

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AU - Moreira, Patrícia

AU - Vieira, Eduarda

PY - 2019

Y1 - 2019

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AB - This paper aims to highlight the museography of Lina Bo Bardi for exhibiting paintings at the Museum of Art of Sao Paulo, MASP (Brasil), one of the most relevant collections of European art in a museum in the southern hemisphere. Analysed here is the evolution of glazed paintings, different glasses as the different types of backing board used in the permanent exhibition over 50 years for loans and conservation purposes. Emphases are given to the possible relationship between the condition of the art work and the effects of pollutants and relative humidity inside the microclimate vitrine.

KW - MASP

KW - Vitrines

KW - Vidros

KW - Pinturas

KW - Conservação

KW - COV

KW - MASP

KW - Vitrines

KW - Glass

KW - Painting

KW - Conservation

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DO - 10.37558/GEC.V15I0.577

M3 - Article

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SN - 1989-8568

VL - 15

SP - 18

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JO - Ge-conservación

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ER -

As vitrines das pinturas do Museu de Arte de São Paulo Assis Chateaubriand, MASP-Brasil. O projeto museográfico de Lina Bo Bardi e a evolução na conservação: o projeto museográfico de Lina Bo Bardi e a evolução na conservação

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BIONANOSCULP: Development and characterization of the application of bionanomaterials with anti-microbial protection for coating of metal and stone-based public sculptures

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