Traditional and digital music instruments: a relationship based on a interactive model

Paulo Ferreira-Lopes*

*Corresponding author for this work

Research output: Chapter in Book/Report/Conference proceedingConference contributionpeer-review

1 Citation (Scopus)

Abstract

In the present work some aspects of the influence of the digital music instruments on composition methods are observed. Some consequences of the relationship between traditional instruments and digital music instruments result on a triangular interactive process. As an analytical approach to understand this relationship and the association process between traditional instruments and digital music instruments, a typology of interaction for the musical performance based on this instrumental configuration is proposed. The deduced classes are based upon the observation and systematization of my work as a composer. The proposed model aims to contribute towards an unifying terminology and systematization of some of the major questions that arise from the coexistence between two different paradigms (traditional and digital music instruments) in the universe of live electronic music.

Original languageEnglish
Title of host publicationProceedings of the 5th Sound and Music Computing Conference, SMC 2008
PublisherSound and music Computing network
ISBN (Print)9783798320949
Publication statusPublished - 2008
Event5th Sound and Music Computing Conference, SMC 2008 - Berlin, Germany
Duration: 31 Jul 20083 Aug 2008

Publication series

NameProceedings of the 5th Sound and Music Computing Conference, SMC 2008

Conference

Conference5th Sound and Music Computing Conference, SMC 2008
Country/TerritoryGermany
CityBerlin
Period31/07/083/08/08

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