Uma insolência baldia

João Pedro Amorim

Uma insolência baldia

Translated title of the contribution: Untilled Spite

Research output: Non-textual form › Exhibition

Abstract

At times, we fail to notice the small weed growing through the rifts of the pavement, distracted as we are with the endless spreading of the global system of production. The domination of the natural depends on the continuous operations of cleaning and ordering against the chaotic growth of the world, starting from the definition of the categories of natural and artificial.

These installative and durational screening sessions are based on the working materials of the broader project In Nature’s Spite (in development film 2020-2023?) filmed in two deactivated mines in distinct stages of abandonment: Estufa Fria in Lisbon, transformed in urban garden; and São Domingos mine, a toxic ruin still under recuperation. The invitation is to inquiry in these wastelands (past and present) for audacity and signs of an insolence that could suggest to us forms of resistance against the inevitable hegemony of production.

Translated title of the contribution	Untilled Spite
Original language	Portuguese
Publication status	Published - 22 Apr 2022
Event	Uma Insolência Baldia - Galeria Dentro, Porto, Portugal Duration: 22 Apr 2022 → 23 Apr 2022 https://cargocollective.com/joaopedroamorim/uma-insolencia-baldia-2022

Keywords

Moving image
Installation art
cinema
Contemporary Art
anthropocene
ecology

CITAR: Research Center for Science and Technology of the Arts
Vieira, E. (PI), Nobre da Silva Pais, A. M. (Other career/Public sector), Filipe, C. (Private Sector), Serra, S. (Assistant Professor), Baltazar, A. (Assistant Professor), Lobo, C. (Invited Assistant Professor), Carmona, C. R. (Assistant Professor), Sá, C. (Assistant Professor), Sousa, G. V. E. (Full Professor), Pereira, H. M. (Assistant Professor), Neves, J. (Invited Assistant Professor), Teixeira, J. (Invited Assistant Professor), Gomes, J. A. (Invited Assistant Professor), Carvalho, J. V. (Invited Assistant Professor), Castro, L. (Assistant Professor), Teixeira, L. (Assistant Professor), Aguiar, M. (Assistant Professor), Crespo, N. (Assistant Professor), Camarneiro, N. (Invited Assistant Professor), Costa, P. R. (Invited Assistant Professor), Pestana, P. D. (Invited Assistant Professor), Alves, P. (Invited Assistant Professor), Kunz, S. (Assistant Professor), Neves, S. (Invited Assistant Professor), Coutinho, V. M. (Invited Assistant Professor), Galán-Pérez, A. (Private Sector), Rangel, A. (Professor non-higher education), Natálio, C. (Researcher), Henriques, F. (Researcher), Afonso Lopes, M. I. (Private Sector), Bordalo, R. (Researcher) & Lammeren, S. R. L. V. (Researcher)
1/01/20 → 31/12/25
Project: Research

Cite this

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title = "Uma insol{\^e}ncia baldia",

abstract = "At times, we fail to notice the small weed growing through the rifts of the pavement, distracted as we are with the endless spreading of the global system of production. The domination of the natural depends on the continuous operations of cleaning and ordering against the chaotic growth of the world, starting from the definition of the categories of natural and artificial.These installative and durational screening sessions are based on the working materials of the broader project In Nature{\textquoteright}s Spite (in development film 2020-2023?) filmed in two deactivated mines in distinct stages of abandonment: Estufa Fria in Lisbon, transformed in urban garden; and S{\~a}o Domingos mine, a toxic ruin still under recuperation. The invitation is to inquiry in these wastelands (past and present) for audacity and signs of an insolence that could suggest to us forms of resistance against the inevitable hegemony of production.",

keywords = "Moving image, Installation art, cinema, Contemporary Art, anthropocene, ecology",

author = "Amorim, {Jo{\~a}o Pedro}",

note = "Instala{\c c}{\~a}o e Performance.; Uma Insol{\^e}ncia Baldia ; Conference date: 22-04-2022 Through 23-04-2022",

year = "2022",

month = apr,

day = "22",

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A2 - Amorim, João Pedro

N1 - Instalação e Performance.

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N2 - At times, we fail to notice the small weed growing through the rifts of the pavement, distracted as we are with the endless spreading of the global system of production. The domination of the natural depends on the continuous operations of cleaning and ordering against the chaotic growth of the world, starting from the definition of the categories of natural and artificial.These installative and durational screening sessions are based on the working materials of the broader project In Nature’s Spite (in development film 2020-2023?) filmed in two deactivated mines in distinct stages of abandonment: Estufa Fria in Lisbon, transformed in urban garden; and São Domingos mine, a toxic ruin still under recuperation. The invitation is to inquiry in these wastelands (past and present) for audacity and signs of an insolence that could suggest to us forms of resistance against the inevitable hegemony of production.

AB - At times, we fail to notice the small weed growing through the rifts of the pavement, distracted as we are with the endless spreading of the global system of production. The domination of the natural depends on the continuous operations of cleaning and ordering against the chaotic growth of the world, starting from the definition of the categories of natural and artificial.These installative and durational screening sessions are based on the working materials of the broader project In Nature’s Spite (in development film 2020-2023?) filmed in two deactivated mines in distinct stages of abandonment: Estufa Fria in Lisbon, transformed in urban garden; and São Domingos mine, a toxic ruin still under recuperation. The invitation is to inquiry in these wastelands (past and present) for audacity and signs of an insolence that could suggest to us forms of resistance against the inevitable hegemony of production.

KW - Moving image

KW - Installation art

KW - cinema

KW - Contemporary Art

KW - anthropocene

KW - ecology

M3 - Exhibition

T2 - Uma Insolência Baldia

Y2 - 22 April 2022 through 23 April 2022

ER -

Uma insolência baldia

Abstract

Keywords

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Projects

CITAR: Research Center for Science and Technology of the Arts

Cite this