Why can't Banksy be a woman? The gendering of graffiti and street art studies

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Abstract

In this article, the question ‘Why Can't Banksy Be a Woman’ is a point of departure to approach some of the pressing challenges regarding sex and gender in graffiti and street art studies, in order to contribute on the matter of the presence/absence of women graffiti and street artists in this epistemological field. To this aim, I summon feminist contributions on the invisibility of women in the established art world, namely from art historians Linda Nochlin and Griselda Pollock. I map important contributions on the question of women in graffiti, by referring to graffiti scholars Nancy MacDonald and Jessica Pábon-Cólon. As street art has been considered more gender inclusive in regards to conditions of production, I locate restrictions mainly in terms of reception. Finally, I suggest that the question of women in graffiti and street art studies is larger than sex and gender.
Original languageEnglish
Pages (from-to)6-11
Number of pages6
JournalStreet Art and Urban Creativity
Volume6
Issue number2
DOIs
Publication statusPublished - 30 Dec 2020

Keywords

  • Women
  • Feminism
  • Graffiti
  • Street art
  • Production
  • Reception

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