The music instrument teacher, as the conductor of a teaching-learningprocess for future musicians, gathers in himself/herself a multiplicity of experiences and knowledge that one’s seeks to convey effectively to each student, in such a way that they will develop the basis of skills, necessary to one’s affirmation as a performer. Such teaching phenomena traditionally occurs in the space of a classroom, but the construction of such savoir-faire, for the teacher, builds itself from a much wider universe, defined by the teacher’s own path as a student, as a musician, and also influenced by the institution where one practices one’s teaching profession. This research pursues to be a contribution in Portuguese about instrumental teaching, and all the factors that influence it, while being conscious that the existing scientific literature, focus on pedagogical manuals/studies about the early stages of musical training. Assuming this gap also as primary motivation for the present essay, one started from the results of a case study at a professional music school in Portugal. The reflexion about the main outlines of teaching orientation was thus, emergent, in that, one could investigate how these outlines where “bent” or “straightened ” by factors of influence, namely the sociocultural and institutional factors, which covertly but decisively, throughout history, have directed not only what each teacher teaches, but how one does it.
| Date of Award | 30 May 2014 |
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| Original language | Portuguese |
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| Awarding Institution | - Universidade Católica Portuguesa
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| Supervisor | Sofia Lourenço (Supervisor) |
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- Mestrado em Ensino de Música
A influência dos contextos sociocultural e institucional na didáctica instrumental: a Escola Profissional de Música de Espinho : estudo de caso
Pinho, J. T. D. S. P. D. (Student). 30 May 2014
Student thesis: Master's Thesis