Abstract
This thesis analyses the potential of sound as a critical and political medium for engaging with the phenomenon of enforced disappearance in Colombia. Through a practice-based research approach, the project explores how listening can become an act of recognition, resistance, and memory construction in post-conflict scenarios. The result is a sound installation titled 769: At Least Their Names, which seeks to activate a space for collective reflection and ethical listening, centered on the victims of disappearance in the department of Tolima. Grounded in both theoretical frameworks and artistic practices, the project contributes to the growing field of socially engaged sound art by proposing the act of listening as a form of counter-memory and symbolic reparation.| Date of Award | 12 Sept 2025 |
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| Original language | English |
| Awarding Institution |
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| Supervisor | José Alberto Gomes (Supervisor) |
UN SDGs
This student thesis contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 11 Sustainable Cities and Communities
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SDG 16 Peace, Justice and Strong Institutions
Keywords
- Sound art
- Enforced disappearance
- Listenning as political practice
- Sound installation
- Socially engaged art
- Ethical listenning
Designation
- Mestrado em Som e Imagem
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- Standard