Abstract
The movie births as grief, not only through the death of someone but through everything this someone represented. Film as preservation of memory is a concept present since the annals of cinema history, this report does an elaboration on the state of the art of documental and autobiographic cinema having as reference the works of Naomi Kawase, Sophie Calle and Jonathan Caouette. The whole process and evolution of the film “SUPERVADIOS” will be explained, from the initial idea to the final result. There will also be an elaboration on the more technical aspects of the creation of the short alongside the strategies elaborated to go around certain obstacles.| Date of Award | 6 Dec 2024 |
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| Original language | Portuguese |
| Awarding Institution |
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| Supervisor | Diogo Costa Amarante (Supervisor) |
UN SDGs
This student thesis contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 4 Quality Education
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SDG 8 Decent Work and Economic Growth
Keywords
- Autobiography
- Documentary
- Memory
- Naomi Kawase
- Grief
Designation
- Mestrado em Cinema
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