Banksy’s ‘Dismaland’ or art as an agent of change

Adriana Alves de Paula Martins

Resumo

This paper will discuss the subversive cultural and political meanings deriving from the construction and dismantlement of Dismaland, a temporary art installation created by Banksy in 2015 that addressed a wide range of evils of globalization from the effects of climate change to the refugee crisis. By considering the exhibition first and foremost as “form of resistance to sanctioned imagery” (Anna Wactawek, 2011: 73), I will examine how through the creation of a utopia in reverse Banksy (i) challenged the construction of the social in visual terms; (ii) questioned modes of reception; and (iii) advocated social consciousness in an epoch of indifference towards the Other.

Idioma original	English
Páginas	74-75
Número de páginas	2
Estado da publicação	Publicado - abr. 2018
Evento	Conference of the Portuguese Association for Anglo-American Studies - Universidade de Évora, Évora Duração: 26 abr. 2018 → 28 abr. 2018 Número de conferência: 39

Conferência

Conferência	Conference of the Portuguese Association for Anglo-American Studies
Título abreviado	APEAA
País/Território	Portugal
Cidade	Évora
Período	26/04/18 → 28/04/18

Acesso ao documento

17585205Final published version, 1,08 MBLicença: Unspecified

http://hdl.handle.net/10400.14/32667Licença: Unspecified

Citação

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title = "Banksy{\textquoteright}s {\textquoteleft}Dismaland{\textquoteright} or art as an agent of change",

abstract = "This paper will discuss the subversive cultural and political meanings deriving from the construction and dismantlement of Dismaland, a temporary art installation created by Banksy in 2015 that addressed a wide range of evils of globalization from the effects of climate change to the refugee crisis. By considering the exhibition first and foremost as “form of resistance to sanctioned imagery” (Anna Wactawek, 2011: 73), I will examine how through the creation of a utopia in reverse Banksy (i) challenged the construction of the social in visual terms; (ii) questioned modes of reception; and (iii) advocated social consciousness in an epoch of indifference towards the Other.",

author = "Martins, {Adriana Alves de Paula}",

year = "2018",

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language = "English",

pages = "74--75",

note = "Conference of the Portuguese Association for Anglo-American Studies, APEAA ; Conference date: 26-04-2018 Through 28-04-2018",

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AU - Martins, Adriana Alves de Paula

N1 - Conference code: 39

PY - 2018/4

Y1 - 2018/4

N2 - This paper will discuss the subversive cultural and political meanings deriving from the construction and dismantlement of Dismaland, a temporary art installation created by Banksy in 2015 that addressed a wide range of evils of globalization from the effects of climate change to the refugee crisis. By considering the exhibition first and foremost as “form of resistance to sanctioned imagery” (Anna Wactawek, 2011: 73), I will examine how through the creation of a utopia in reverse Banksy (i) challenged the construction of the social in visual terms; (ii) questioned modes of reception; and (iii) advocated social consciousness in an epoch of indifference towards the Other.

AB - This paper will discuss the subversive cultural and political meanings deriving from the construction and dismantlement of Dismaland, a temporary art installation created by Banksy in 2015 that addressed a wide range of evils of globalization from the effects of climate change to the refugee crisis. By considering the exhibition first and foremost as “form of resistance to sanctioned imagery” (Anna Wactawek, 2011: 73), I will examine how through the creation of a utopia in reverse Banksy (i) challenged the construction of the social in visual terms; (ii) questioned modes of reception; and (iii) advocated social consciousness in an epoch of indifference towards the Other.

M3 - Abstract

SP - 74

EP - 75

T2 - Conference of the Portuguese Association for Anglo-American Studies

Y2 - 26 April 2018 through 28 April 2018

ER -

Banksy’s ‘Dismaland’ or art as an agent of change

Resumo

Conferência

Acesso ao documento

Impressão digital

Citação