Between marxism and postmodernism: ‘cultural revolution’ and the Sino-Soviet split as entertainment in Jean-Luc Godard’s “La chinoise” (1967)

Idioma original	English
Título da publicação do anfitrião	Revolution & cinema
Editores	Daniel Ribas, Nuno Crespo
Local da publicação	Lisboa
Editora	UCP Editora
Páginas	83-98
Número de páginas	16
ISBN (eletrónico)	9789725410172
DOIs	https://doi.org/10.34632/9789725410172_7
Estado da publicação	Publicado - 2024

Série de publicação

Nome	Science and Technology of the Arts

Acesso ao documento

• 10.34632/9789725410172_7Licença:

• 112596253Final published version, 12,1 MBLicença:

• http://hdl.handle.net/10400.14/47770Licença:

Resultado de pesquisa

Produções científicas por ano 2024 2024 2024

• 1 Edited book

Produções científicas por ano

Produções científicas por ano

• Revolution & cinema

  Ribas, D. (Editor) & Crespo, N. (Editor), out. 2024, Lisboa: UCP Editora. 117 p. (Science and Technology of the Arts)

  Resultado de pesquisa › revisão de pares

  Acesso aberto

  Ficheiro

  • African cinema 100%
  • Africans 100%
  • founding 50%
  • Liberation 50%
  • Portuguese Cinema 50%
  3 Transferências (Pure)

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Mason, M. R. (2024). Between marxism and postmodernism: ‘cultural revolution’ and the Sino-Soviet split as entertainment in Jean-Luc Godard’s “La chinoise” (1967). Em D. Ribas, & N. Crespo (Eds.), Revolution & cinema (pp. 83-98). (Science and Technology of the Arts). UCP Editora. https://doi.org/10.34632/9789725410172_7

Mason, Matthew Raymond. / Between marxism and postmodernism : ‘cultural revolution’ and the Sino-Soviet split as entertainment in Jean-Luc Godard’s “La chinoise” (1967). Revolution & cinema. editor / Daniel Ribas ; Nuno Crespo. Lisboa : UCP Editora, 2024. pp. 83-98 (Science and Technology of the Arts).

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Mason, MR 2024, Between marxism and postmodernism: ‘cultural revolution’ and the Sino-Soviet split as entertainment in Jean-Luc Godard’s “La chinoise” (1967). em D Ribas & N Crespo (eds), Revolution & cinema. Science and Technology of the Arts, UCP Editora, Lisboa, pp. 83-98. https://doi.org/10.34632/9789725410172_7

Between marxism and postmodernism: ‘cultural revolution’ and the Sino-Soviet split as entertainment in Jean-Luc Godard’s “La chinoise” (1967). / Mason, Matthew Raymond.
Revolution & cinema. ed. / Daniel Ribas; Nuno Crespo. Lisboa: UCP Editora, 2024. p. 83-98 (Science and Technology of the Arts).

Resultado de pesquisa › revisão de pares

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PY - 2024

Y1 - 2024

U2 - 10.34632/9789725410172_7

DO - 10.34632/9789725410172_7

M3 - Chapter

T3 - Science and Technology of the Arts

SP - 83

EP - 98

BT - Revolution & cinema

A2 - Ribas, Daniel

A2 - Crespo, Nuno

PB - UCP Editora

CY - Lisboa

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Mason MR. Between marxism and postmodernism: ‘cultural revolution’ and the Sino-Soviet split as entertainment in Jean-Luc Godard’s “La chinoise” (1967). Em Ribas D, Crespo N, editores, Revolution & cinema. Lisboa: UCP Editora. 2024. p. 83-98. (Science and Technology of the Arts). doi: 10.34632/9789725410172_7