DESCANSAR: music for theater

José Alberto Gomes

DESCANSAR: music for theater

Resultado de pesquisa

Resumo

What do we write in stone? What marble books, what flower beds, what photomontages do we use to honour the people who died? What aesthetic decisions do we make? DESCANSAR [To Rest] is based on cemeteries: places of homage, for one thing, but also where one is able to read social, political, economic and gender differences, among others. A cemetery is a highly performing place: on the one hand, ritualistic; on the other hand, mundane (there are cat food bowls, brooms behind graves, public notices). It is also a threshold: the worlds of the living and of the dead coexist. There’s a symbolic, imaginary, religious and ghostly presence. And a slow, unstoppable movement: decay. A cemetery is a place of crossing and tension, and therefore imminently theatrical. — Raquel S.

Artistic direction and text: Raquel S.
Performance and co-creation: Júlia Valente_ and Leonor Cabral
Set design and costumes: Pedro Azevedo
Music and sound space: José Alberto Gomes
Lighting: Tiago Silva
Video and image: Nuno Matos
Dramaturgical contribution and movement support: Vera Santos
Production direction: Inês Maia | Pé de Cabra
Production support: Jessica Duncalf
Support: TUP - Teatro Universitário do Porto
Costume making: Ana Fernandes, Delfina Oliveira, and Rosa Almeida
A Noitarder - Cultural Association show
Co-production: Creation grant from O Espaço do Tempo, with the support of BPI and "La Caixa" Foundation, and Teatro Municipal do Porto

Idioma original	Portuguese
Estado da publicação	Publicado - 24 nov. 2023
Evento	Teatro Universitário do Porto - Porto Duração: 24 out. 2023 → 24 out. 2023 https://www.facebook.com/watch/?v=886232873036296

CITAR: Research Center for Science and Technology of the Arts
Vieira, E. (PI), Nobre da Silva Pais, A. M. (Outra carreira/categoria no setor público), Filipe, C. (Carreira no setor privado), Serra, S. (Professor Auxiliar), Baltazar, A. (Professor Auxiliar), Lobo, C. (Professor Auxiliar Convidado), Carmona, C. R. (Professor Auxiliar), Sá, C. (Professor Auxiliar), Sousa, G. V. E. (Professor Catedrático), Pereira, H. M. (Professor Auxiliar), Neves, J. (Professor Auxiliar Convidado), Teixeira, J. (Professor Auxiliar Convidado), Gomes, J. A. (Professor Auxiliar Convidado), Carvalho, J. V. (Professor Auxiliar Convidado), Castro, L. (Professor Auxiliar), Teixeira, L. (Professor Auxiliar), Aguiar, M. (Professor Auxiliar), Crespo, N. (Professor Auxiliar), Camarneiro, N. (Professor Auxiliar Convidado), Costa, P. R. (Professor Auxiliar Convidado), Pestana, P. D. (Professor Auxiliar Convidado), Alves, P. (Professor Auxiliar Convidado), Kunz, S. (Professor Auxiliar), Neves, S. (Professor Auxiliar Convidado), Coutinho, V. M. (Professor Auxiliar Convidado), Galán-Pérez, A. (Carreira no setor privado), Rangel, A. (Docente do ensino não superior), Natálio, C. (Investigador), Henriques, F. (Investigador), Afonso Lopes, M. I. (Carreira no setor privado), Bordalo, R. (Investigador) & Lammeren, S. R. L. V. (Investigador)
1/01/20 → 31/12/25
Projeto

Citação

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abstract = "What do we write in stone? What marble books, what flower beds, what photomontages do we use to honour the people who died? What aesthetic decisions do we make? DESCANSAR [To Rest] is based on cemeteries: places of homage, for one thing, but also where one is able to read social, political, economic and gender differences, among others. A cemetery is a highly performing place: on the one hand, ritualistic; on the other hand, mundane (there are cat food bowls, brooms behind graves, public notices). It is also a threshold: the worlds of the living and of the dead coexist. There{\textquoteright}s a symbolic, imaginary, religious and ghostly presence. And a slow, unstoppable movement: decay. A cemetery is a place of crossing and tension, and therefore imminently theatrical. — Raquel S.Artistic direction and text: Raquel S.Performance and co-creation: J{\'u}lia Valente_ and Leonor Cabral Set design and costumes: Pedro Azevedo Music and sound space: Jos{\'e} Alberto Gomes Lighting: Tiago SilvaVideo and image: Nuno MatosDramaturgical contribution and movement support: Vera SantosProduction direction: In{\^e}s Maia | P{\'e} de CabraProduction support: Jessica Duncalf Support: TUP - Teatro Universit{\'a}rio do PortoCostume making: Ana Fernandes, Delfina Oliveira, and Rosa AlmeidaA Noitarder - Cultural Association showCo-production: Creation grant from O Espa{\c c}o do Tempo, with the support of BPI and {"}La Caixa{"} Foundation, and Teatro Municipal do Porto",

author = "Gomes, {Jos{\'e} Alberto}",

note = "https://www.facebook.com/noitardernoitarder/videos/886232873036296; Teatro Universit{\'a}rio do Porto ; Conference date: 24-10-2023 Through 24-10-2023",

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language = "Portuguese",

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T1 - DESCANSAR

T2 - Teatro Universitário do Porto

A2 - Gomes, José Alberto

N1 - https://www.facebook.com/noitardernoitarder/videos/886232873036296

PY - 2023/11/24

Y1 - 2023/11/24

N2 - What do we write in stone? What marble books, what flower beds, what photomontages do we use to honour the people who died? What aesthetic decisions do we make? DESCANSAR [To Rest] is based on cemeteries: places of homage, for one thing, but also where one is able to read social, political, economic and gender differences, among others. A cemetery is a highly performing place: on the one hand, ritualistic; on the other hand, mundane (there are cat food bowls, brooms behind graves, public notices). It is also a threshold: the worlds of the living and of the dead coexist. There’s a symbolic, imaginary, religious and ghostly presence. And a slow, unstoppable movement: decay. A cemetery is a place of crossing and tension, and therefore imminently theatrical. — Raquel S.Artistic direction and text: Raquel S.Performance and co-creation: Júlia Valente_ and Leonor Cabral Set design and costumes: Pedro Azevedo Music and sound space: José Alberto Gomes Lighting: Tiago SilvaVideo and image: Nuno MatosDramaturgical contribution and movement support: Vera SantosProduction direction: Inês Maia | Pé de CabraProduction support: Jessica Duncalf Support: TUP - Teatro Universitário do PortoCostume making: Ana Fernandes, Delfina Oliveira, and Rosa AlmeidaA Noitarder - Cultural Association showCo-production: Creation grant from O Espaço do Tempo, with the support of BPI and "La Caixa" Foundation, and Teatro Municipal do Porto

AB - What do we write in stone? What marble books, what flower beds, what photomontages do we use to honour the people who died? What aesthetic decisions do we make? DESCANSAR [To Rest] is based on cemeteries: places of homage, for one thing, but also where one is able to read social, political, economic and gender differences, among others. A cemetery is a highly performing place: on the one hand, ritualistic; on the other hand, mundane (there are cat food bowls, brooms behind graves, public notices). It is also a threshold: the worlds of the living and of the dead coexist. There’s a symbolic, imaginary, religious and ghostly presence. And a slow, unstoppable movement: decay. A cemetery is a place of crossing and tension, and therefore imminently theatrical. — Raquel S.Artistic direction and text: Raquel S.Performance and co-creation: Júlia Valente_ and Leonor Cabral Set design and costumes: Pedro Azevedo Music and sound space: José Alberto Gomes Lighting: Tiago SilvaVideo and image: Nuno MatosDramaturgical contribution and movement support: Vera SantosProduction direction: Inês Maia | Pé de CabraProduction support: Jessica Duncalf Support: TUP - Teatro Universitário do PortoCostume making: Ana Fernandes, Delfina Oliveira, and Rosa AlmeidaA Noitarder - Cultural Association showCo-production: Creation grant from O Espaço do Tempo, with the support of BPI and "La Caixa" Foundation, and Teatro Municipal do Porto

M3 - Composition

Y2 - 24 October 2023 through 24 October 2023

ER -

DESCANSAR: music for theater

Resumo

Projetos

CITAR: Research Center for Science and Technology of the Arts

Citação