Primeiros passos de maturidade a caminho da reintegração cromática diferenciada em pintura de cavalete em Portugal

Ana Bailão; Frederico Henriques; Madalena Cabral; Alexandre Gonçalves

doi:10.37558/gec.v1i1.16

Primeiros passos de maturidade a caminho da reintegração cromática diferenciada em pintura de cavalete em Portugal

Ana Bailão^*, Frederico Henriques, Madalena Cabral, Alexandre Gonçalves

^*Autor correspondente para este trabalho

Resultado de pesquisa › revisão de pares

2 Citações (Scopus)

18 Transferências (Pure)

Resumo

The aim of this paper is to analyze and contextualise differential chromatic reintegration in easel painting during the 20th century in Portugal. It is a survey of the criteria based on chromatic reintegration activities carried out by Abel de Moura and Fernando Mardel on two wood panel paintings: the triptych "Piéta com dois Santos", belonging to the Portuguese Decorative Arts Museum, Fundação Ricardo do Espírito Santo Silva (FRESS) and the triptych of the Church of "Encarnação", currently at the Sacred Art Museum in Funchal. Through geographic information systems the reintegration area is determined.

Título traduzido da contribuição	First steps of maturity on the way to differentiated chromatic reintegration in easel painting in Portugal
Idioma original	Portuguese
Páginas (de-até)	127-141
Número de páginas	15
Revista	Ge-conservación
Volume	2010
Número de emissão	1
DOIs	https://doi.org/10.37558/gec.v1i1.16
Estado da publicação	Publicado - 2010

Keywords

Abel de Moura
Distinctive retouching
Fernando mardel
Gis

Acesso ao documento

10.37558/gec.v1i1.16Licença:

19693267Final published version, 2,19 MBLicença:

Outros arquivos e links

http://www.scopus.com/inward/record.url?scp=84864584545&partnerID=8YFLogxK

Citação

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abstract = "The aim of this paper is to analyze and contextualise differential chromatic reintegration in easel painting during the 20th century in Portugal. It is a survey of the criteria based on chromatic reintegration activities carried out by Abel de Moura and Fernando Mardel on two wood panel paintings: the triptych {"}Pi{\'e}ta com dois Santos{"}, belonging to the Portuguese Decorative Arts Museum, Funda{\c c}{\~a}o Ricardo do Esp{\'i}rito Santo Silva (FRESS) and the triptych of the Church of {"}Encarna{\c c}{\~a}o{"}, currently at the Sacred Art Museum in Funchal. Through geographic information systems the reintegration area is determined.",

keywords = "Abel de Moura, Distinctive retouching, Fernando mardel, Gis",

author = "Ana Bail{\~a}o and Frederico Henriques and Madalena Cabral and Alexandre Gon{\c c}alves",

year = "2010",

doi = "10.37558/gec.v1i1.16",

language = "Portuguese",

volume = "2010",

pages = "127--141",

journal = "Ge-conservaci{\'o}n",

issn = "1989-8568",

publisher = "Grupo Espanol del IIC (International Institute for Conservation of Historic and Artistic Works)",

number = "1",

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TY - JOUR

T1 - Primeiros passos de maturidade a caminho da reintegração cromática diferenciada em pintura de cavalete em Portugal

AU - Bailão, Ana

AU - Henriques, Frederico

AU - Cabral, Madalena

AU - Gonçalves, Alexandre

PY - 2010

Y1 - 2010

N2 - The aim of this paper is to analyze and contextualise differential chromatic reintegration in easel painting during the 20th century in Portugal. It is a survey of the criteria based on chromatic reintegration activities carried out by Abel de Moura and Fernando Mardel on two wood panel paintings: the triptych "Piéta com dois Santos", belonging to the Portuguese Decorative Arts Museum, Fundação Ricardo do Espírito Santo Silva (FRESS) and the triptych of the Church of "Encarnação", currently at the Sacred Art Museum in Funchal. Through geographic information systems the reintegration area is determined.

AB - The aim of this paper is to analyze and contextualise differential chromatic reintegration in easel painting during the 20th century in Portugal. It is a survey of the criteria based on chromatic reintegration activities carried out by Abel de Moura and Fernando Mardel on two wood panel paintings: the triptych "Piéta com dois Santos", belonging to the Portuguese Decorative Arts Museum, Fundação Ricardo do Espírito Santo Silva (FRESS) and the triptych of the Church of "Encarnação", currently at the Sacred Art Museum in Funchal. Through geographic information systems the reintegration area is determined.

KW - Abel de Moura

KW - Distinctive retouching

KW - Fernando mardel

KW - Gis

UR - http://www.scopus.com/inward/record.url?scp=84864584545&partnerID=8YFLogxK

U2 - 10.37558/gec.v1i1.16

DO - 10.37558/gec.v1i1.16

M3 - Article

AN - SCOPUS:84864584545

SN - 1989-8568

VL - 2010

SP - 127

EP - 141

JO - Ge-conservación

JF - Ge-conservación

IS - 1

ER -

Primeiros passos de maturidade a caminho da reintegração cromática diferenciada em pintura de cavalete em Portugal

Resumo

Keywords

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