Philip Glass' Façades - a case study on the complexity of music scores: A case study on the complexity of music scores

Pedro Pestana; Dinis Pestana

Philip Glass' Façades - a case study on the complexity of music scores: A case study on the complexity of music scores

Pedro Pestana^*
, Dinis Pestana

^*Autor correspondente para este trabalho

Resultado de pesquisa › revisão de pares

Resumo

Repetitive structures in the soprano saxophones, violas/synthesizer andvioloncelli in the full score of Philip Glass’Fa ̧cades[4] are investigated assimilatingsimilar music bars with the axial-diagonal self-affine cartoons as defined by Mandel-brot [7], [8] to construct very general multi-fractals.Transition matrices of order 1 Markov chains are used to simulate surrogates ofphrases of the same piece, to investigate whether in this minimalist setting we ob-tain (i) an exact reproduction of the original, or (ii) something that though differentsounds a pleasant variation.

Idioma original	English
Título da publicação do anfitrião	Proceedings of Chaos 2012 — 5th Chaotic Modeling and Simulation International Conference
Páginas	459-467
Número de páginas	9
Estado da publicação	Publicado - 2012
Evento	5th International Conference on Chaotic Modeling and Simulation, CHAOS 2012 - Athens Duração: 12 jun. 2012 → 15 jun. 2012

Conferência

Conferência	5th International Conference on Chaotic Modeling and Simulation, CHAOS 2012
País/Território	Greece
Cidade	Athens
Período	12/06/12 → 15/06/12

Acesso ao documento

http://hdl.handle.net/10400.14/19626

Outros arquivos e links

https://www.scopus.com/pages/publications/85072409264

Citação

@inproceedings{505f842bfd1e4230b64569ba3d3c6292,

title = "Philip Glass' Fa{\c c}ades - a case study on the complexity of music scores: A case study on the complexity of music scores",

abstract = "Repetitive structures in the soprano saxophones, violas/synthesizer andvioloncelli in the full score of Philip Glass{\textquoteright}Fa{\c }cades[4] are investigated assimilatingsimilar music bars with the axial-diagonal self-affine cartoons as defined by Mandel-brot [7], [8] to construct very general multi-fractals.Transition matrices of order 1 Markov chains are used to simulate surrogates ofphrases of the same piece, to investigate whether in this minimalist setting we ob-tain (i) an exact reproduction of the original, or (ii) something that though differentsounds a pleasant variation. ",

keywords = "Superposition of fractals, Multifractals, Complexity, Self-affine cartoons, Self-affine bars",

author = "Pedro Pestana and Dinis Pestana",

year = "2012",

language = "English",

pages = "459--467",

booktitle = "Proceedings of Chaos 2012 — 5th Chaotic Modeling and Simulation International Conference",

note = "5th International Conference on Chaotic Modeling and Simulation, CHAOS 2012 ; Conference date: 12-06-2012 Through 15-06-2012",

}

Pestana, P & Pestana, D 2012, Philip Glass' Façades - a case study on the complexity of music scores: A case study on the complexity of music scores. em Proceedings of Chaos 2012 — 5th Chaotic Modeling and Simulation International Conference. pp. 459-467, 5th International Conference on Chaotic Modeling and Simulation, CHAOS 2012, Athens, Greece, 12/06/12. <http://hdl.handle.net/10400.14/19626>

TY - GEN

T1 - Philip Glass' Façades - a case study on the complexity of music scores

T2 - 5th International Conference on Chaotic Modeling and Simulation, CHAOS 2012

AU - Pestana, Pedro

AU - Pestana, Dinis

PY - 2012

Y1 - 2012

N2 - Repetitive structures in the soprano saxophones, violas/synthesizer andvioloncelli in the full score of Philip Glass’Fa ̧cades[4] are investigated assimilatingsimilar music bars with the axial-diagonal self-affine cartoons as defined by Mandel-brot [7], [8] to construct very general multi-fractals.Transition matrices of order 1 Markov chains are used to simulate surrogates ofphrases of the same piece, to investigate whether in this minimalist setting we ob-tain (i) an exact reproduction of the original, or (ii) something that though differentsounds a pleasant variation.

AB - Repetitive structures in the soprano saxophones, violas/synthesizer andvioloncelli in the full score of Philip Glass’Fa ̧cades[4] are investigated assimilatingsimilar music bars with the axial-diagonal self-affine cartoons as defined by Mandel-brot [7], [8] to construct very general multi-fractals.Transition matrices of order 1 Markov chains are used to simulate surrogates ofphrases of the same piece, to investigate whether in this minimalist setting we ob-tain (i) an exact reproduction of the original, or (ii) something that though differentsounds a pleasant variation.

KW - Superposition of fractals

KW - Multifractals

KW - Complexity

KW - Self-affine cartoons

KW - Self-affine bars

UR - https://www.scopus.com/pages/publications/85072409264

M3 - Conference contribution

AN - SCOPUS:85072409264

SP - 459

EP - 467

BT - Proceedings of Chaos 2012 — 5th Chaotic Modeling and Simulation International Conference

Y2 - 12 June 2012 through 15 June 2012

ER -

Philip Glass' Façades - a case study on the complexity of music scores: A case study on the complexity of music scores

Resumo

Conferência

Acesso ao documento

Outros arquivos e links

Impressão digital

Citação