Retouching the third dimension: the Aurélio da Paz dos Reis stereoscopic negatives archive

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Resumo

The paper explores photography retouching, particularly its use in dry plate stereoscopic negatives. The materials and techniques used and their relationship with the retouching practice in non-stereoscopic photography are discussed. This research focuses on the Portuguese photographer Aurélio da Paz dos Reis's collection of negatives, and how he used retouching for the composition of his stereoscopic portraits. These are studio-like portraits, and today they are a reminder of the artistic society, with whom the photographer had a close relationship and other celebrities. Better known for event and general outdoor photography, this paper presents a contribution to the characterization of a less studied type of photography by this author. Also, these portraits witness the photographic techniques of their time and how the photographic portrait and retouching always had a special place in the history of photography.
Idioma originalEnglish
Título da publicação do anfitriãoIII Conference on Research in History of Photography: Stereoscopic or 3D photography, 19th and 20th centuries
EditoresHernández Latas, José Antonio
EditoraInstitucion Fernando el Catolico
Páginas219-226
Número de páginas8
ISBN (impresso)9788499116518
Estado da publicaçãoPublicado - 2022
EventoIII Conference on Research in History of Photography: Stereoscopic or 3D photography, 19th and 20th centuries - Zaragoza
Duração: 23 out. 201925 out. 2019

Conferência

ConferênciaIII Conference on Research in History of Photography
País/TerritórioSpain
CidadeZaragoza
Período23/10/1925/10/19

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