Revolution & cinema

Daniel Ribas; Nuno Crespo

doi:10.34632/9789725410172

Revolution & cinema

Daniel Ribas, Nuno Crespo

Resultado de pesquisa › revisão de pares

17 Transferências (Pure)

Resumo

In this volume we gathered the contributions of various researchers that aim to address the relationship between cinema and revolution. The book opens with a conversation between Ros Gray, specialist in militant filmmaking, particularly in relation to liberation struggles and revolutionary movements in Mozambique, Angola, Guinea-Bissau and Burkina Faso, and June Givanni, film curator, archivist, international consultant around Pan-African cinema and founding director of the June Givanni Pan-African Cinema Archive (JGPACA). This volume also gathers contributions by: Aldones Silva on the work of the Brazilian visual artist Marcela Cantuária; Eduardo Prado Cardoso and his reading of the film Malunguinho directed by Felipe Peres Calheiros; Isabel Capeloa Gil on colonial memories of Portuguese cinema; João Oliveira Duarte and the relationship between present, future and past in Fiona Tan’s work Facing Forward; Matthew Mason and the tension between Marxism and post-modernism via Jean-Luc Godard’s La Chinoise; and Riccardo Uras on the absence of debate on Italy’s colonial past and its myths, through the analysis of Adwa: An African Victory by Haile Gerima, and Blood Is Not Fresh Water by Theo Eshetu.

Idioma original	English
Local da publicação	Lisboa
Editora	UCP Editora
Número de páginas	117
ISBN (eletrónico)	9789725410172
DOIs	https://doi.org/10.34632/9789725410172
Estado da publicação	Publicado - out. 2024

Série de publicação

Nome	Science and Technology of the Arts

Acesso ao documento

10.34632/9789725410172Licença:

110718417Final published version, 18,8 MBLicença:

http://hdl.handle.net/10400.14/47470Licença:

1 Organising a conference, workshop, ...

Spring Seminar 2020: Revolution and Cinema
Ribas, D. (Organiser) & Crespo, N. (Participant)
2020
Atividade

1 Ativos

CITAR: Research Center for Science and Technology of the Arts
Vieira, E. (PI), Nobre da Silva Pais, A. M. (Outra carreira/categoria no setor público), Filipe, C. (Carreira no setor privado), Serra, S. (Professor Auxiliar), Baltazar, A. (Professor Auxiliar), Lobo, C. (Professor Auxiliar Convidado), Carmona, C. R. (Professor Auxiliar), Sá, C. (Professor Auxiliar), Sousa, G. V. E. (Professor Catedrático), Pereira, H. M. (Professor Auxiliar), Neves, J. (Professor Auxiliar Convidado), Teixeira, J. (Professor Auxiliar Convidado), Gomes, J. A. (Professor Auxiliar Convidado), Carvalho, J. V. (Professor Auxiliar Convidado), Castro, L. (Professor Auxiliar), Teixeira, L. (Professor Auxiliar), Aguiar, M. (Professor Auxiliar), Crespo, N. (Professor Auxiliar), Camarneiro, N. (Professor Auxiliar Convidado), Costa, P. R. (Professor Auxiliar Convidado), Pestana, P. D. (Professor Auxiliar Convidado), Alves, P. (Professor Auxiliar Convidado), Kunz, S. (Professor Auxiliar), Neves, S. (Professor Auxiliar Convidado), Coutinho, V. M. (Professor Auxiliar Convidado), Galán-Pérez, A. (Carreira no setor privado), Rangel, A. (Docente do ensino não superior), Natálio, C. (Investigador), Henriques, F. (Investigador), Afonso Lopes, M. I. (Carreira no setor privado), Bordalo, R. (Investigador) & Lammeren, S. R. L. V. (Investigador)
1/01/20 → 31/12/25
Projeto

3 Chapter

Between marxism and postmodernism: ‘cultural revolution’ and the Sino-Soviet split as entertainment in Jean-Luc Godard’s “La chinoise” (1967)
Mason, M. R., 2024, Revolution & cinema. Ribas, D. & Crespo, N. (eds.). Lisboa: UCP Editora, p. 83-98 16 p. (Science and Technology of the Arts).
Resultado de pesquisa › revisão de pares

Acesso aberto
Ficheiro

7 Transferências (Pure)
Introduction
Ribas, D. & Crespo, N., 2024, Revolution & cinema. Ribas , D. & Crespo, N. (eds.). Lisboa: UCP Editora, p. 4-6 3 p. (Science and Technology of the Arts).
Resultado de pesquisa › revisão de pares

Acesso aberto
Ficheiro
Of crocodiles and love letters: colonial memories in Portuguese film
Gil, I. C., 2024, Revolution & cinema. Ribas, D. & Crespo, N. (eds.). Lisboa: UCP Editora, p. 56-72 17 p. (Science and Technology of the Arts).
Resultado de pesquisa › revisão de pares

Acesso aberto
Ficheiro

1 Transferências (Pure)

Citação

@book{6458d42dd3ba43ca8f757d494de773ab,

title = "Revolution & cinema",

abstract = "In this volume we gathered the contributions of various researchers that aim to address the relationship between cinema and revolution. The book opens with a conversation between Ros Gray, specialist in militant filmmaking, particularly in relation to liberation struggles and revolutionary movements in Mozambique, Angola, Guinea-Bissau and Burkina Faso, and June Givanni, film curator, archivist, international consultant around Pan-African cinema and founding director of the June Givanni Pan-African Cinema Archive (JGPACA). This volume also gathers contributions by: Aldones Silva on the work of the Brazilian visual artist Marcela Cantu{\'a}ria; Eduardo Prado Cardoso and his reading of the film Malunguinho directed by Felipe Peres Calheiros; Isabel Capeloa Gil on colonial memories of Portuguese cinema; Jo{\~a}o Oliveira Duarte and the relationship between present, future and past in Fiona Tan{\textquoteright}s work Facing Forward; Matthew Mason and the tension between Marxism and post-modernism via Jean-Luc Godard{\textquoteright}s La Chinoise; and Riccardo Uras on the absence of debate on Italy{\textquoteright}s colonial past and its myths, through the analysis of Adwa: An African Victory by Haile Gerima, and Blood Is Not Fresh Water by Theo Eshetu.",

keywords = "Cinema, Pan-African cinema, Film",

editor = "Daniel Ribas and Nuno Crespo",

year = "2024",

month = oct,

doi = "10.34632/9789725410172",

language = "English",

series = "Science and Technology of the Arts",

publisher = "UCP Editora",

address = "Portugal",

}

TY - BOOK

T1 - Revolution & cinema

A2 - Ribas, Daniel

A2 - Crespo, Nuno

PY - 2024/10

Y1 - 2024/10

N2 - In this volume we gathered the contributions of various researchers that aim to address the relationship between cinema and revolution. The book opens with a conversation between Ros Gray, specialist in militant filmmaking, particularly in relation to liberation struggles and revolutionary movements in Mozambique, Angola, Guinea-Bissau and Burkina Faso, and June Givanni, film curator, archivist, international consultant around Pan-African cinema and founding director of the June Givanni Pan-African Cinema Archive (JGPACA). This volume also gathers contributions by: Aldones Silva on the work of the Brazilian visual artist Marcela Cantuária; Eduardo Prado Cardoso and his reading of the film Malunguinho directed by Felipe Peres Calheiros; Isabel Capeloa Gil on colonial memories of Portuguese cinema; João Oliveira Duarte and the relationship between present, future and past in Fiona Tan’s work Facing Forward; Matthew Mason and the tension between Marxism and post-modernism via Jean-Luc Godard’s La Chinoise; and Riccardo Uras on the absence of debate on Italy’s colonial past and its myths, through the analysis of Adwa: An African Victory by Haile Gerima, and Blood Is Not Fresh Water by Theo Eshetu.

AB - In this volume we gathered the contributions of various researchers that aim to address the relationship between cinema and revolution. The book opens with a conversation between Ros Gray, specialist in militant filmmaking, particularly in relation to liberation struggles and revolutionary movements in Mozambique, Angola, Guinea-Bissau and Burkina Faso, and June Givanni, film curator, archivist, international consultant around Pan-African cinema and founding director of the June Givanni Pan-African Cinema Archive (JGPACA). This volume also gathers contributions by: Aldones Silva on the work of the Brazilian visual artist Marcela Cantuária; Eduardo Prado Cardoso and his reading of the film Malunguinho directed by Felipe Peres Calheiros; Isabel Capeloa Gil on colonial memories of Portuguese cinema; João Oliveira Duarte and the relationship between present, future and past in Fiona Tan’s work Facing Forward; Matthew Mason and the tension between Marxism and post-modernism via Jean-Luc Godard’s La Chinoise; and Riccardo Uras on the absence of debate on Italy’s colonial past and its myths, through the analysis of Adwa: An African Victory by Haile Gerima, and Blood Is Not Fresh Water by Theo Eshetu.

KW - Cinema

KW - Pan-African cinema

KW - Film

U2 - 10.34632/9789725410172

DO - 10.34632/9789725410172

M3 - Edited book

T3 - Science and Technology of the Arts

BT - Revolution & cinema

PB - UCP Editora

CY - Lisboa

ER -

Revolution & cinema

Resumo

Série de publicação

Acesso ao documento

Impressão digital

Atividades

Spring Seminar 2020: Revolution and Cinema

Projetos

CITAR: Research Center for Science and Technology of the Arts

Resultado de pesquisa

Between marxism and postmodernism: ‘cultural revolution’ and the Sino-Soviet split as entertainment in Jean-Luc Godard’s “La chinoise” (1967)

Introduction

Of crocodiles and love letters: colonial memories in Portuguese film

Citação