Resumo
In the past few decades, electroacoustic music has taken up an important place in the musical landscape. From synthesizers to generative music systems, there exists a wide variety in the field. However, as time progresses, we are confronted with the question on how to preserve these artworks for the future. In this paper we describe the problems of preservation through a case study: Jean-claude Risset's Duo for One Pianist from 1989. Finally we give a first account on the solutions found.
| Idioma original | English |
|---|---|
| Título da publicação do anfitrião | Sound scripts |
| Subtítulo da publicação do anfitrião | proceedings of the 2011 Totally Huge New Music Festival Conference |
| Editores | Cat Hope, Kylie J. Stevenson |
| Editora | Australian Music Centre |
| Volume | 4 |
| ISBN (impresso) | 9780909168827 |
| Estado da publicação | Publicado - jan. 2012 |
| Evento | Totally Huge New Music Festival Conference - Perth Institute of Contemporary Arts, Cultural Centre, Perth Duração: 16 set. 2011 → 28 set. 2011 |
Conferência
| Conferência | Totally Huge New Music Festival Conference |
|---|---|
| Cidade | Perth |
| Período | 16/09/11 → 28/09/11 |
Impressão digital
Mergulhe nos tópicos de investigação de “The music under Rusty Records: restoring risset's duet for one pianist“. Em conjunto formam uma impressão digital única.Citação
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