The time of spatial analysis: on the temporal dimension of some pitch-­based analytical models

José-António Oliveira Martins

The time of spatial analysis: on the temporal dimension of some pitch-based analytical models

Título traduzido da contribuição: O tempo da análise espacial: sobre a dimensão temporal de alguns modelos analíticos de alturas-de-sons

José-António Oliveira Martins

Resultado de pesquisa

Resumo

Desde o final do anos 50 e anos 60, o trabalho académico Norte- Americano em teoria da música produziu uma variedade de modelos matematicamente informados de organização de alturas-de-sons. Análises baseadas nesses modelos frequentemente posicionam relações de alturas em configurações espaciais, que enfatizam o mapeamento entre os domínios de alturas e espaço. No entanto, este ensaio reflecte sobre os aspectos temporais que a mediação da análise de alturas traz à experiência da peça musical. Propõe, por isso, um estudo preliminar abarcando perspectivas orientadas tanto para a estrutura como para o processo da peça. O ensaio argumenta que à medida que os modelos espaciais tentaram conciliar a classificação sistemática das classes-de- conjunto (de alturas) com relações mais flexíveis e dinâmicas, o modo de presenciar o tempo através da análise inflectiu de discontínuo e não linear para uma temporalidade mais linear e directa.

Título traduzido da contribuição	O tempo da análise espacial: sobre a dimensão temporal de alguns modelos analíticos de alturas-de-sons
Idioma original	English
Páginas	22-26
Número de páginas	5
Estado da publicação	Publicado - abr. 2013
Evento	III Encontro Internacional de Teoria e Análise Musical - Universidade de São Paulo, São Paulo Duração: 17 abr. 2013 → 19 abr. 2013

Conferência

Conferência	III Encontro Internacional de Teoria e Análise Musical
País/Território	Brazil
Cidade	São Paulo
Período	17/04/13 → 19/04/13

Keywords

Alturas
Tempo
Temporalidade
Teoria de conjuntos
Klumpenhouwer networks
Teoria neo-Riemanniana
Teoria de escalas
Espaços de afinidade
Geometrias musicais

Acesso ao documento

134394295Final published version, 427 KBLicença: Unspecified

http://hdl.handle.net/10400.14/55772Licença: Unspecified

Citação

@conference{7d6ca5544d9544bf936ce2b8db82c823,

title = "The time of spatial analysis: on the temporal dimension of some pitch-based analytical models",

abstract = "Since the late 1950s and 60s, North-American music-theoretical scholarship has produced a variety of mathematically informed models of pitch organization. Analyses based on such models often depict pitch relations in suggestive spatial configurations, which emphasize the cross-domain mapping between pitch and space. The paper reflects, however, upon the temporal aspects imported to the experience of the piece as it is mediated through pitch-based analysis. It proposes a preliminary survey of the issue, from an initial composer- or structure-oriented perspective to a more listener- or process-oriented one. It argues that as spatial models tried to reconcile the systematic set-class classification of pitch materials with more flexible, dynamic and process-oriented relations, the mode of experiencing time through analysis also inflected from discontinuous, non-linear towards more linear and directed temporalities.",

keywords = "Pitch, Timr, Temporality, Set-theory, Transformational, K-nets, Neo-Riemannian, Scalar theory, Transpositional network, Affinity spaces, Music geometries, Alturas, Tempo, Temporalidade, Teoria de conjuntos, Klumpenhouwer networks, Teoria neo-Riemanniana, Teoria de escalas, Espa{\c c}os de afinidade, Geometrias musicais",

author = "Martins, \{Jos{\'e}-Ant{\'o}nio Oliveira\}",

year = "2013",

month = apr,

language = "English",

pages = "22--26",

note = "III Encontro Internacional de Teoria e An{\'a}lise Musical ; Conference date: 17-04-2013 Through 19-04-2013",

}

TY - CONF

T1 - The time of spatial analysis

T2 - III Encontro Internacional de Teoria e Análise Musical

AU - Martins, José-António Oliveira

PY - 2013/4

Y1 - 2013/4

N2 - Since the late 1950s and 60s, North-American music-theoretical scholarship has produced a variety of mathematically informed models of pitch organization. Analyses based on such models often depict pitch relations in suggestive spatial configurations, which emphasize the cross-domain mapping between pitch and space. The paper reflects, however, upon the temporal aspects imported to the experience of the piece as it is mediated through pitch-based analysis. It proposes a preliminary survey of the issue, from an initial composer- or structure-oriented perspective to a more listener- or process-oriented one. It argues that as spatial models tried to reconcile the systematic set-class classification of pitch materials with more flexible, dynamic and process-oriented relations, the mode of experiencing time through analysis also inflected from discontinuous, non-linear towards more linear and directed temporalities.

AB - Since the late 1950s and 60s, North-American music-theoretical scholarship has produced a variety of mathematically informed models of pitch organization. Analyses based on such models often depict pitch relations in suggestive spatial configurations, which emphasize the cross-domain mapping between pitch and space. The paper reflects, however, upon the temporal aspects imported to the experience of the piece as it is mediated through pitch-based analysis. It proposes a preliminary survey of the issue, from an initial composer- or structure-oriented perspective to a more listener- or process-oriented one. It argues that as spatial models tried to reconcile the systematic set-class classification of pitch materials with more flexible, dynamic and process-oriented relations, the mode of experiencing time through analysis also inflected from discontinuous, non-linear towards more linear and directed temporalities.

KW - Pitch

KW - Timr

KW - Temporality

KW - Set-theory

KW - Transformational

KW - K-nets

KW - Neo-Riemannian

KW - Scalar theory

KW - Transpositional network

KW - Affinity spaces

KW - Music geometries

KW - Alturas

KW - Tempo

KW - Temporalidade

KW - Teoria de conjuntos

KW - Klumpenhouwer networks

KW - Teoria neo-Riemanniana

KW - Teoria de escalas

KW - Espaços de afinidade

KW - Geometrias musicais

M3 - Paper

SP - 22

EP - 26

Y2 - 17 April 2013 through 19 April 2013

ER -