Twentieth-century polymodality: scalar layering, chromatic mismatch, and symmetry

Resultado de pesquisarevisão de pares

Resumo

This chapter introduces students to the notion of twentieth-century polymodality focusing on the layering of different scales and resulting chromaticism. The lesson proceeds in three (mutually reinforcing) learning stages: the analytical examination of characteristic instances of scale combinations in the music of Béla Bartók leading to analytical representations as mismatched scale segments or polymodes, the assembly and disassembly of various symmetrical polymodes furthering the understanding of the chromatic and common-tone interactions in scalar layering, and guidance for short compositional deployments of layered textures.
Idioma originalEnglish
Título da publicação do anfitriãoThe Routledge companion to music theory pedagogy
EditoresLeigh VanHandel
EditoraRoutledge
Número de páginas6
Edição1
ISBN (eletrónico)9780429505584
ISBN (impresso)9781138585010
DOIs
Estado da publicaçãoPublished - 2020

Impressão digital

Mergulhe nos tópicos de investigação de “Twentieth-century polymodality: scalar layering, chromatic mismatch, and symmetry“. Em conjunto formam uma impressão digital única.

Citação